May’s SciFi Book Club selection was Remote Control by Nnedi Okorafor. An accomplished author, she writes African-based science fiction and fantasy (African futurism and African jujuism), and her other works have won many awards.
Here’s the blurb to give this review context:
The day Fatima forgot her name, Death paid a visit. From here on in she would be known as Sankofa–a name that meant nothing to anyone but her, the only tie to her family and her past.
Her touch is death, and with a glance a town can fall. And she walks–alone, except for her fox companion–searching for the object that came from the sky and gave itself to her when the meteors fell and when she was yet unchanged; searching for answers.
But is there a greater purpose for Sankofa, now that Death is her constant companion?
I’m sort of indifferent about this book. I didn’t hate it, but I can’t say I liked it either. As mentioned by many, it read like a folk tale, and I like a good fable. Also, I liked the non-traditional setting in Ghana. It was nice to get absorbed in an area different than the standard urban area. Although this land included many unique gadgets not of this current time and place.
The protagonist, Fatima/Sankofa is a young girl. She ages from five years old to fourteen by the end of the book. Though I didn’t feel the story was told in the voice of such a young girl. Certain descriptions and thoughts seemed to be those of a young child. Like early on, she thinks dead people are sleeping, which seems plausible for a six-year-old. But I felt the character was a little too wise for her age. Her perspective and know-how were more like a young adult. I couldn’t get comfortable with the level of knowledge that this young child possessed.
This book was an allegory in every sense of the literary device. An example is the fox that follows Sankofa during her journey from one town to another. Some in the book club thought it was her familiar, but they have a definitive purpose – helping witches or cunning folks with their powers. The fox didn’t literally help Fatima/Sankofa in anyway. He was just there. Overall, the underlying messages intended were unclear.
Perhaps, the story would have been more meaningful had I read it knowing it was an allegory. Even if I had been able to pick up this notion somewhere along the line as I was reading it. But I read from a very literal perspective, which didn’t work in this case. Another reading from a more abstract perspective might be useful, but I’m probably not going to do it. Time is valuable, and I wasn’t compelled enough to read it again even though it’s a novella.
A significant amount of time was spent discussing the ending of the book. If you’ve read the reviews, you notice it’s a common point of speculation. Its meaning entirely open to interpretation. The book club members had several ideas about what it meant, but we never reach a consensus. There were several moments of contemplative silence. Not necessarily a bad thing, but I wish I was able to take more away from the discussion and the story.
Finally, I like to invest in the substance of the story like most readers. One thing that takes me out of it is poor form, meaning the writing. This book was full of everything I avoid in my own writing: sentences with three independent clauses, missing commas to separate independent clauses, poorly structured sentences where I had to reread them to understand what the author meant, repetitious word use in the same or consecutive sentences, more than one character’s dialogue in the same paragraph, frequent use of ly-adverbs, noticeable use of filter words, etc. For any published book, this type of poor form is unacceptable. But it’s especially egregious for a traditional publisher. Even an accomplished author such as Ms. Okorafor should have to follow some of the fundamental rules.
Next on the docket for June is Into The Black by Evan Currie:
Beyond the confines of our small world, far from the glow of our star, lies a galaxy and universe much larger and more varied than anyone on Earth can possibly imagine. For the new NAC spacecraft Odyssey and her crew, the unimaginable facets of this untouched world are about to become reality.
It’s a 600-page military space opera. After this past month’s selection, I’m looking forward to spending time aboard ship in space and getting overwhelmed by the science overload.