Book Club: Remote Control

May’s SciFi Book Club selection was Remote Control by Nnedi Okorafor. An accomplished author, she writes African-based science fiction and fantasy (African futurism and African jujuism), and her other works have won many awards.

Here’s the blurb to give this review context:

The day Fatima forgot her name, Death paid a visit. From here on in she would be known as Sankofa­­–a name that meant nothing to anyone but her, the only tie to her family and her past.

Her touch is death, and with a glance a town can fall. And she walks–alone, except for her fox companion–searching for the object that came from the sky and gave itself to her when the meteors fell and when she was yet unchanged; searching for answers.

But is there a greater purpose for Sankofa, now that Death is her constant companion?


I’m sort of indifferent about this book. I didn’t hate it, but I can’t say I liked it either. As mentioned by many, it read like a folk tale, and I like a good fable. Also, I liked the non-traditional setting in Ghana. It was nice to get absorbed in an area different than the standard urban area. Although this land included many unique gadgets not of this current time and place.

The protagonist, Fatima/Sankofa is a young girl. She ages from five years old to fourteen by the end of the book. Though I didn’t feel the story was told in the voice of such a young girl. Certain descriptions and thoughts seemed to be those of a young child. Like early on, she thinks dead people are sleeping, which seems plausible for a six-year-old. But I felt the character was a little too wise for her age. Her perspective and know-how were more like a young adult. I couldn’t get comfortable with the level of knowledge that this young child possessed.

This book was an allegory in every sense of the literary device. An example is the fox that follows Sankofa during her journey from one town to another. Some in the book club thought it was her familiar, but they have a definitive purpose – helping witches or cunning folks with their powers. The fox didn’t literally help Fatima/Sankofa in anyway. He was just there. Overall, the underlying messages intended were unclear.

Perhaps, the story would have been more meaningful had I read it knowing it was an allegory. Even if I had been able to pick up this notion somewhere along the line as I was reading it. But I read from a very literal perspective, which didn’t work in this case. Another reading from a more abstract perspective might be useful, but I’m probably not going to do it. Time is valuable, and I wasn’t compelled enough to read it again even though it’s a novella.

A significant amount of time was spent discussing the ending of the book. If you’ve read the reviews, you notice it’s a common point of speculation. Its meaning entirely open to interpretation. The book club members had several ideas about what it meant, but we never reach a consensus. There were several moments of contemplative silence. Not necessarily a bad thing, but I wish I was able to take more away from the discussion and the story.

Finally, I like to invest in the substance of the story like most readers. One thing that takes me out of it is poor form, meaning the writing. This book was full of everything I avoid in my own writing: sentences with three independent clauses, missing commas to separate independent clauses, poorly structured sentences where I had to reread them to understand what the author meant, repetitious word use in the same or consecutive sentences, more than one character’s dialogue in the same paragraph, frequent use of ly-adverbs, noticeable use of filter words, etc. For any published book, this type of poor form is unacceptable. But it’s especially egregious for a traditional publisher. Even an accomplished author such as Ms. Okorafor should have to follow some of the fundamental rules.

Next on the docket for June is Into The Black by Evan Currie:

Beyond the confines of our small world, far from the glow of our star, lies a galaxy and universe much larger and more varied than anyone on Earth can possibly imagine. For the new NAC spacecraft Odyssey and her crew, the unimaginable facets of this untouched world are about to become reality.

It’s a 600-page military space opera. After this past month’s selection, I’m looking forward to spending time aboard ship in space and getting overwhelmed by the science overload.

Inspiration: Story Idea

I recently had a discussion about story ideas with another author. It spurred me to share the inspiration for my work in progress, The Venerable Dawn: Ascension.

In August 2019, I took a writing class after being eliminated from a Corporate America job for the third time in my career. The first homework assignment asked us to browse through Discover Magazine and find an article that captured our imaginations. The piece I found was “They Cracked This 250-Year-Old Code and Found a Secret Society Inside.” Two parts grabbed my curiosity.

First, this article told how a linguistic specialist used algorithms to crack the Copiale Cipher. But it wasn’t the use of computer technology that interested me. Instead, it was who created the code, the Oculists, a group of ophthalmologists loosely tied to the Freemasons. Throughout history, freethinkers like these doctors formed secret societies to escape the suppression and persecution of the Church, who deemed such groups as heretical.

I’ve always been fascinated by such well-known groups as the Freemasons, Illuminati, and Rosicrucians. Many people are familiar with the Freemasons from the National Treasure movies and the Illuminati from Angels & Demons. Another clandestine group, Priory of Sion, is featured in The De Vinci Code. Nowadays, there are many collegiate not-so-secret societies. The Ivy League groups such as Yale’s Skull and Bones and the Quill and Dagger at Cornell are some of the most notable. Look them up; they are interesting and fun to see who former members are.

The cracking-the-code part of the article caught my attention because of my interest in armchair treasure hunting. It began in a roundabout way, starting when I discovered that Lewis Carroll’s Through the Looking Glass included moves for a chess game in the narrative.

Like most everything with me, this fascination dovetailed into the discovery of two incredible books, Masquerade and The Secret.

Masquerade is a picture book by Kit Williams, published in 1979. It includes clues to the location of a golden hare hidden somewhere in Britain. The answer to the elaborate puzzle is hidden in fifteen illustrations. The whereabouts of the gilded woodland creature remained unknown until 2009.

The Secret is a treasure hunt created by Byron Preiss. The clues were included in the book published in 1982. The quest involves searching for twelve boxes buried at secret locations across the US and Canada. The author would reward the finder with a precious gem in exchange for the chests. Only three of them have been found as of October 2019. Some speculate that the remaining boxes may never be found.

In many ways, geocaching and Pokémon Go are today’s treasure hunts. Fun stuff for kids and adults alike. I mean, what’s not to love about going on a quest to find a cache and reviewing the log for those who came before them? Or capturing virtual creatures in real-world locations?

I’m so pumped simply writing this post. It tells me that I followed the right path of inspiration for my story. Now tell me about your inspiration. Or let me know what you think about secret or not-so-secret societies and treasure hunting.