Word choice is such an essential part of writing. It’s the difference between an awkward sentence and dialogue or a description that perfectly conveys the character’s emotion. I have a healthy respect for the power of them. Some of my self-imposed rules border the quirky, but I unabashedly own them.
Like do you think about when the pronouns I/me and we/us are used? I’m quite conscious about it, and I don’t mean in terms of singular or plural. When dealing with characters who don’t like each other very much but are forced to work together to save the world, I make sure that they avoid referring to themselves as we/us. Before they find common ground, they are only allowed to see the world around them in terms of themselves. They are still in the “me” stage. This difference seems like a small detail, but I think it’s an important distinction.
Another rule I use is picking words associated with the metaphor or scene setting. For example, at the beginning of The Venerable Dawn, the main characters are in an airport, waiting to board a flight. During this scene, I use an occasional aviation term. Lilith, the protagonist, tries to remember something from her training many years ago but struggles to recall specific details. She searches for them in the cargo hold or belly of the plane. When she readily remembers some things, I liken their holding place to the easily accessible overhead compartment. Naturally, such references are done with nuance and not overused.
I’m careful about the terms I use for descriptions. Not every reader knows the fancy names for various references. Most know what an oak tree looks like, but not necessarily a white ash. Or they might be familiar with a giant redwood, but not the term sequoia. Use too many obscure terms, and I think you risk losing the reader. Admittedly, the dictionary feature included with eBooks is great and helps build our vocabulary. Though using it too much can take the reader out of the story. My best practice is to keep it simple but not too elementary, a delicate balance.
Another quirky rule is when to use the terms top/bottom and first/last. I associate top/bottom as vertical and first/last as horizontal. Not always, but in general. I think it’s because I’m a visual person, and I have an overbearing sense of logic. Maddening at times, figuratively, of course.
At times, I tend to be a perfectionist, and the struggle with word choice is real. Sometimes, I agonize over the right one, spending far too much time looking for the elusive word. To remedy my fixation, I’ve learned to drop in the best word that I can think of at the time and highlight it for future consideration. I also add alternative choices as a side comment. Usually, the right word will come to me when I come back to it as part of my endless editing. And it’s a beautiful thing when it does. The difference between an unremarkable sentence and a work of art that stirs the emotions or moves the soul.
I wonder if any other writers are as meticulous as I am about word choice…